{"id":1437,"date":"2025-10-24T17:44:33","date_gmt":"2025-10-24T15:44:33","guid":{"rendered":"https:\/\/thecornerstone.fr\/?page_id=1437"},"modified":"2026-06-03T16:17:14","modified_gmt":"2026-06-03T14:17:14","slug":"jacques-et-son-maitre","status":"publish","type":"page","link":"https:\/\/thecornerstone.fr\/index.php\/spectacles\/jacques-et-son-maitre\/","title":{"rendered":"JACQUES ET SON MA\u00ceTRE"},"content":{"rendered":"<div class=\"note-intention\">\n<p>\u96c5\u514b\u548c\u4ed6\u7684\u4e3b\u4eba \u2014 <strong>JACQUES ET SON MA\u00ceTRE<\/strong><\/p>\n<p>Invit\u00e9 au Th\u00e9\u00e2tre National des Arts du Peuple du Sichuan, j&#8217;ai choisi de porter ce texte vertigineux, cher \u00e0 mon c\u0153ur depuis toujours, au sein d&#8217;une large cr\u00e9ation franco-chinoise, en r\u00e9unissant les interpr\u00e8tes et techniciens chinois aux c\u00f4t\u00e9s de mon \u00e9quipe rapproch\u00e9e de cr\u00e9ateurs.trices fran\u00e7ais.e.s \u2014 musicien, vid\u00e9aste, costumi\u00e8re \u2014 et avec qui je construis chacune de mes cr\u00e9ations.<\/p>\n<p>JACQUES LE FATALISTE est un roman impossible. Diderot y invente une machine narrative qui se retourne contre elle-m\u00eame : \u00e0 peine une histoire commence-t-elle qu&#8217;elle se fragmente, se digresse, se contredit. Le narrateur y surgit pour apostropher le lecteur, modifier l&#8217;ordre des \u00e9v\u00e9nements, revendiquer sa libert\u00e9 d&#8217;auteur. Ce que nous lisons n&#8217;est jamais tout \u00e0 fait ce qu&#8217;on nous promet.<\/p>\n<p>En route vers une destination que personne ne conna\u00eet, Jacques et son ma\u00eetre parlent. Ils parlent de l&#8217;amour, du hasard, du destin \u2014 et de ce qui, peut-\u00eatre, ne fait qu&#8217;un. Diderot d\u00e9construit les codes du roman traditionnel, brouille les fronti\u00e8res entre conteur et lecteur, et transforme la conversation de ses h\u00e9ros en une exp\u00e9rience unique.<\/p>\n<p>Sous le masque du divertissement, Diderot interroge avec humour et profondeur la condition humaine : sommes-nous ma\u00eetres de nos vies, ou jouets du destin ? Jacques le croit \u2014 tout est \u00e9crit l\u00e0-haut. Son ma\u00eetre doute. Et nous, quelque part entre eux deux, nous cherchons notre r\u00e9ponse. Le voyage devient alors une m\u00e9ditation sur la libert\u00e9 et la fatalit\u00e9, sur la morale et le d\u00e9sir, sur la v\u00e9rit\u00e9 et la fiction.<\/p>\n<p>JACQUES ET SON MA\u00ceTRE pousse ici encore davantage mon sens de l&#8217;hybridation, s&#8217;affranchissant des \u00e9poques, pour laisser s&#8217;\u00e9panouir un dialogue unique entre la philosophie des Lumi\u00e8res et la Chine du 21\u00e8me si\u00e8cle.<\/p>\n<p style=\"text-align: right;\">Simon Mauclair<\/p>\n<\/div>\n<div class=\"cs-carousel\">\n<div class=\"cs-carousel-track\">\n<div class=\"cs-carousel-slide\"><img decoding=\"async\" src=\"http:\/\/thecornerstone.fr\/wp-content\/uploads\/2025\/10\/IMG_6836.jpg\" alt=\"\" loading=\"lazy\"><\/div>\n<div class=\"cs-carousel-slide\"><img decoding=\"async\" src=\"http:\/\/thecornerstone.fr\/wp-content\/uploads\/2025\/10\/IMG_6837.jpg\" alt=\"\" loading=\"lazy\"><\/div>\n<div class=\"cs-carousel-slide\"><img decoding=\"async\" src=\"http:\/\/thecornerstone.fr\/wp-content\/uploads\/2025\/10\/IMG_6838.jpg\" alt=\"\" loading=\"lazy\"><\/div>\n<div class=\"cs-carousel-slide\"><img decoding=\"async\" src=\"http:\/\/thecornerstone.fr\/wp-content\/uploads\/2025\/10\/IMG_6839.jpg\" alt=\"\" loading=\"lazy\"><\/div>\n<div class=\"cs-carousel-slide\"><img decoding=\"async\" src=\"http:\/\/thecornerstone.fr\/wp-content\/uploads\/2025\/10\/IMG_6840.jpg\" alt=\"\" loading=\"lazy\"><\/div>\n<div class=\"cs-carousel-slide\"><img decoding=\"async\" src=\"http:\/\/thecornerstone.fr\/wp-content\/uploads\/2025\/10\/IMG_6841.jpg\" alt=\"\" loading=\"lazy\"><\/div>\n<div class=\"cs-carousel-slide\"><img decoding=\"async\" src=\"http:\/\/thecornerstone.fr\/wp-content\/uploads\/2025\/10\/IMG_6842.jpg\" alt=\"\" loading=\"lazy\"><\/div>\n<div class=\"cs-carousel-slide\"><img decoding=\"async\" src=\"http:\/\/thecornerstone.fr\/wp-content\/uploads\/2025\/10\/IMG_6843.jpg\" alt=\"\" loading=\"lazy\"><\/div>\n<\/p><\/div>\n<div class=\"cs-carousel-nav\">\n    <button class=\"cs-carousel-btn cs-prev\">&#8592;<\/button><br \/>\n    <button class=\"cs-carousel-btn cs-next\">&#8594;<\/button>\n  <\/div>\n<div class=\"cs-carousel-dots\">\n<div class=\"cs-carousel-dot active\"><\/div>\n<div class=\"cs-carousel-dot\"><\/div>\n<div class=\"cs-carousel-dot\"><\/div>\n<div class=\"cs-carousel-dot\"><\/div>\n<div class=\"cs-carousel-dot\"><\/div>\n<div class=\"cs-carousel-dot\"><\/div>\n<\/p><\/div>\n<\/div>\n<details>\n<summary style=\"font-size:20px; letter-spacing:normal; text-transform:none;\">G\u00c9N\u00c9RIQUE<\/summary>\n<p>D&#8217;apr\u00e8s \/ <strong>Denis Diderot<\/strong><\/p>\n<p>Adaptation, sc\u00e9nographie &amp; mise en sc\u00e8ne \/ <strong>Simon Mauclair<\/strong><\/p>\n<p>Collaboration \u00e0 la dramaturgie \/ <strong>Jing Wang<\/strong><\/p>\n<p>Assistant.e.s \u00e0 la mise en sc\u00e8ne \/ <strong>Xia Jia Yin &amp; Zhou Jing Hong<\/strong><\/p>\n<p>Traduction anglais\/chinois en r\u00e9p\u00e9titions \/ <strong>Yutao Huang<\/strong><\/p>\n<p>Assistant construction des d\u00e9cors \/ <strong>Liu Yilin<\/strong><\/p>\n<p>Cr\u00e9ation lumi\u00e8re \/ <strong>Zhang He<\/strong><\/p>\n<p>Cr\u00e9ation musicale &amp; sonore \/ <strong>Allan De La Houdaye<\/strong><\/p>\n<p>Cr\u00e9ation cadre vid\u00e9o \/ <strong>Matthieu Ponchel<\/strong><\/p>\n<p>R\u00e9gie vid\u00e9o \/ <strong>Wang Jia<\/strong><\/p>\n<p>Cr\u00e9ation costumes &amp; accessoires \/ <strong>Christine Ducouret<\/strong><\/p>\n<p>Assistante cr\u00e9ation costumes &amp; accessoires \/ <strong>He Meng Miao<\/strong><\/p>\n<p>R\u00e9gie g\u00e9n\u00e9rale &amp; direction technique \/ <strong>Chen Long<\/strong><\/p>\n<p>Construction des d\u00e9cors \/ <strong>Ateliers du Th\u00e9\u00e2tre National des Arts du Peuple du Sichuan<\/strong><\/p>\n<p>Avec \/ <strong>Zha Xi, Nie Sai, Zhou Zijia, Liu Shuai, Liu Yueqi, Zhao Chenyu, Wang Zehong, Hu Xiyuan<\/strong>, com\u00e9diennes et com\u00e9diens des troupes du Th\u00e9\u00e2tre National des Arts du Peuple du Sichuan &amp; du Th\u00e9\u00e2tre de Xi&#8217;An<\/p>\n<\/details>\n<details>\n<summary style=\"font-size:20px; letter-spacing:normal; text-transform:none;\">PRODUCTION<\/summary>\n<p><strong>Production<\/strong> Th\u00e9\u00e2tre des Arts du Peuple du Sichuan \/  Compagnie Cornerstone<\/p>\n<p><strong>Coproduction<\/strong> Festival des deux Villes Chengdu-Chongqing \/ Th\u00e9\u00e2tre de Xi\u2019An \/\u00a0<\/p>\n<p><strong>Soutiens<\/strong> Institut Fran\u00e7ais de P\u00e9kin et Chengdu \/ Hybridit\u00e9s France-Chine<\/p>\n<\/details>\n<div class=\"cs-video\">\n<iframe src=\"https:\/\/www.youtube.com\/embed\/Fo15Ux8wvVc\" title=\"Jacques et son Ma\u00eetre \u2014 Compagnie Cornerstone\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u96c5\u514b\u548c\u4ed6\u7684\u4e3b\u4eba \u2014 JACQUES ET SON MA\u00ceTRE Invit\u00e9 au Th\u00e9\u00e2tre National des Arts du Peuple du Sichuan, j&#8217;ai choisi de porter ce texte vertigineux, cher \u00e0 mon c\u0153ur depuis toujours, au sein d&#8217;une large cr\u00e9ation franco-chinoise, en r\u00e9unissant les interpr\u00e8tes et techniciens chinois aux c\u00f4t\u00e9s de mon \u00e9quipe rapproch\u00e9e de cr\u00e9ateurs.trices fran\u00e7ais.e.s \u2014 musicien, vid\u00e9aste, costumi\u00e8re [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":91,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1437","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/thecornerstone.fr\/index.php\/wp-json\/wp\/v2\/pages\/1437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thecornerstone.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/thecornerstone.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/thecornerstone.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thecornerstone.fr\/index.php\/wp-json\/wp\/v2\/comments?post=1437"}],"version-history":[{"count":35,"href":"https:\/\/thecornerstone.fr\/index.php\/wp-json\/wp\/v2\/pages\/1437\/revisions"}],"predecessor-version":[{"id":1610,"href":"https:\/\/thecornerstone.fr\/index.php\/wp-json\/wp\/v2\/pages\/1437\/revisions\/1610"}],"up":[{"embeddable":true,"href":"https:\/\/thecornerstone.fr\/index.php\/wp-json\/wp\/v2\/pages\/91"}],"wp:attachment":[{"href":"https:\/\/thecornerstone.fr\/index.php\/wp-json\/wp\/v2\/media?parent=1437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}